CORAL: REKINDLING VENUS (2012) - Editor
*** Official Selection 2013 Sundance Film Festival – NEW FRONTIERS PROGRAM 2013 ***
Official Trailer ('RISE' by Anohni)
Director: Lynette Wallworth
Producer: John Maynard
Production Date: 2012
Duration: 45 min
Format: Full-dome feature film
Conceived, Written and Directed by LYNETTE WALLWORTH
Produced By JOHN MAYNARD
Co-Producers: BRIDGET IKIN + DAVID METCALFE
Originating Producer: SUE MASLIN
Principal Cinematographer: DAVID HANNAN
Editors: ELLIOTT MAGEN + Karryn de Cinque
Post Production Supervisor: MEGAN YOUNG
Post Production Facility: DEFINITION FILMS
Director of Post Production: DAVID GROSS
Online Conform Editors: LIAM RODDEN + PETER SIMON
Colourist: TRISH CAHILL
Sound Design and Mix: LIAM EGAN
Music: MAX RICHTER
Songs by Gurrumul Yunupingu, Anohni, Tanya Tagaq Gillis
Additional music by Fennesz and Sakamoto
Music Editor: ALAN JOHN
Production Manager: JODIE PASSMORE
Archival Researcher: RENÉE CREA
Principal Scientific Collaborator: Dr Anya Salih
Production Co: FELIX MEDIA
Presented by SCREEN AUSTRALIA, SCREEN NSW AND FELIXMEDIA
CORAL: REKINDLING VENUS is a full-dome planetarium film designed to immerse and nurture an emotional connection between a global audience and the planet’s endangered coral reefs. The film features original deep-sea photography, and music by Antony and the Johnsons, and Max Richter.
CRKV premiered in 25 cities around the world on 5 June 2012, including New York City, Buenos Aires, London and Melbourne, on the night of the Transit of Venus. It was then invited to screen as part of the 2013 Sundance Film Festival in Park City, Utah, where it was presented in a 10-seat purpose built mini-planetarium at New Frontier and the Salt Lake City’s Clark Planetarium. Following a success at the festival, CRKV was screened in numerous planetariums across the USA.
Elliott had the incredible opportunity to edit and work with artist/director Lynette Wallworth on the full-dome feature film. Technologically complex, the challenge was to edit a film with live-action footage and screen it within planetariums traditionally designed for 3D computer generated images.
Original Theatrical Trailer (Max Richter version)
External Reviews + Links:
The Guardian Review
The Huffington Post Review